‘Crónica de una muerte anunciada is a narrative of horrifying ritual and social rigidity.’ - Literature Essay Samples

The definition of a ‘crà ³nica’ is a factual account of important or historical events in the order of their occurrence. Garcà ­a Mà ¡rquez’s novel, far from being chronological, involves the chronic repetition and re-enacting of events over and over, pointing to a turning-over in the mind of the events which speaks to collective guilt. While the majority of the townsfolk seem to point to an incomprehensible fate[1] as the cause of the crime, the narrator has returned to the town several decades after the crime was committed, still disturbed by the uncanny chain of coincidences that led to Santiago Nasar’s brutal murder. Key questions are left unanswered in the novel: we never know who deflowered à ngela, or who left the letter of warning under Santiago’s door. However, these questions become less relevant as the culpability of the town as a collective becomes more and more apparent. It is the rigidity of social obligation, the meek acceptance o f ‘fate’, and the horrifying practice of scapegoating that stand as the principal causes of the recorded events and the repetitive, neurotic narrative certainly points to a sort of collective neurosis brought on by this guilt. From the opening sentence of the novel, we are aware of the inevitability of what is going to happen, ‘El dà ­a en que lo iban a matar’[2]; the use of the past tense shows us that the events that are being recorded are in the past and cannot be changed. This opening introduces a strong sense of predestination, which is consistent throughout the novel. Only a few pages later, the exact same sentence as the opening one is repeated again[3], which is the first of a number of repetitions of similar sentences referring to Santiago’s death. The reader cannot help but feel that these repetitions mark the steady beating of the executioner’s drum, and this idea is strengthened by their increased frequency as the novel progresses. Phrases such as, ‘ya tenà ­a cara de muerto’[4] and other indicators like the fact Santiago’s hand felt like that of a dead man’s to Divina Flor[5] all seem to take on a kind of incantatory nature[6] like that o f a ritual re-enactment of the crime. Although the apparent intent of the narrator is to investigate the murder, the text becomes a sort of ritual replication of the events. Earlier in the novel, the narrator distinguishes between ‘ellos’ and ‘yo’, however later on he mentions, ‘Durante aà ±os no pudimos hablar de otra cosa. Nuestra conducta diaria, dominada hasta entonces por tantos hà ¡bitos lineales, habà ­a empezado a girar de golpe en torno de una misma ansiedad comà ºn’[7]. Freud’s theory of repetition compulsion; the re-staging of unpleasant events to allow for the possibility of gaining mastery over its horrific consequences[8], is reflected in this passage and the ritual re-enactment we see in Crà ³nica de una muerte anunciada. By ritually repeating the events in which the townsfolk played an essentially passive part, the narrator is able to internalize the murder of Santiago on a collective level, which he achieves in this passage, and thus can escape from any individual responsibility he feels for the murder. Therefore, the actual process of the narrator returning to the town and writing this account of events is a ritual in itself. It helps absolve the narrator from individual guilt and by repeating the events like a death chant, the crime is presented as predestined by fate. Moreover, the use of the nosostros form of verbs in the passage quoted above points to a the collective effects of the crime on the town as a whole; this union of the townsfolk after the crime points towards the suggestion that Santiago was actually simply a scapegoat for the town’s shortcomings, a sacrificial offering so that the town could become united under this common anxiety. Individual scapegoating is when feelings of hatred and hostility are concentrated on an individual (in this case, Santiago Nasar) to allow the community to unite, regardless of whether the victim is guilty. This horrific ritual dates back to Ancient Greece and is certainly evident in Crà ³nica de una muerte anunciada. The novel contains all the elements of the traditional scapegoat ritual: the apparent innocence of the victim, his marginalized character and the final unification of the community via the ritual. Santiago is a son of an Arab immigrant, a group which we know is marginalized from various comments referring to the Turkish community. For instance, Polo Carrillo says about Santiago, ‘Creà ­a que su plata lo hacà ­a intocable’, to which his wife comments, ‘como todos los turcos’[9]. The twins also fear that the Arabs will poison them in prison. However, Santiago’s suitability for sacrifice goes further: he straddles social boundaries becau se his mother is from the landed gentry, and he has no father or brother to avenge his death. He poses a threat to the social order and rigidity of the town and thus he is both an object of envy and a target of accusations[10], not to mention his reputation for de-flowering non-Arab girls[11]. Perhaps all this information would be irrelevant if it were not for the fact that there seems to be no evidence to prove Santiago’s guilt. The narrator says about the judge that, ‘lo que mà ¡s le habà ­a alarmado al final de su diligencia excesiva fue no haber encontrado un solo indicio, ni siquiera el menos verosà ­mil, de que Santiago Nasar hubiera sido en realidad el causante del agravio’[12]. In fact, the only testimony we have of Santiago’s guilt is à ngela’s, and this denunciation is reported not by the narrator but by an unexpected narrative voice that assumes a privileged perspective, embedding the accusation in a cloud of doubt for the rest of th e novel[13]. Therefore, the circumstances are set to create the overwhelming sense that Santiago’s death was, and had always been, ‘anunciada’, because he posed a challenge to the existing social order. Once the slightest cause of grievance appears, in this case à ngela’s de-flowering, his death becomes a foregone conclusion. The collective passivity demonstrated by the townsfolk during the events is further evidence of the horrifying ritual that seemed to be taking place. The sentence, ‘Vamos a matar a Santiago Nasar’ is repeated by the twins numerous times to various members of the community, and yet the majority fail to take preventative action. They all have their own reasons, of course, such as Indalecio who ‘no se atrevià ³ a prevenirlo’[14], however their passivity takes on a different, darker character when they all begin to gather, fuelled by the knowledge of what was about to occur. ‘†¦la gente sabà ­a que Santiago Nasar iba a morir, y no se atrevà ­an a tocarlo’[15] refers to the traditional rules of ritual and religious sacrifice that the one to be sacrificed must not be touched because of his sacred nature. Indeed, there are a number of parallels drawn between the Santiago and Christ. He was wearing white linen on the day of his death, which also underlines his innocence, while his full name alludes to both St James the apostle and Jesus the Nazarene[16]. Furthermore, the scene where ‘la gente que regresaba del puerto, alertada por los gritos, empezà ³ a tomar posiciones en la plaza para presenciar el crimen’[17] is actually proof of the collective guilt of the town and of this ritual sacrifice. Although they still continue to deny what is about to happen, their physical eagerness to get close to the scene of the crime and yet their lack of action to prevent it shows their a willingness to conform to this horrific ritual of social obligation and ‘honour’. Although there are certain people to try to protect Santiago, Nahir Miguel, Yamil Shaium and Clotilde Armenta, it is too late and Santiago becomes ‘asustà ³Ã¢â‚¬â„¢ and ‘deslumbrado’[18]. The scene where everyone is shouting at him from all sides[19] is particularly suggestive of ritual where the victim is bombarded by the cha nts and cries of the people, like an animal running round confused in a pen before being killed. Thus, right up until his death, the practices of ritual and sacrifice are reflected in the novel’s events, and it seems as though the crime was something seen, not only as inevitable, but as something which was a necessity, part of a dark and twisted honour code which must be upheld, even if it means death. It may well be that this practice owes itself to the social rigidity of the society in which the reader is dealing. Social rigidity is a main theme in Crà ³nica de una muerte anunciada, and is mainly described through a lack of free will on the part of the Vicario brothers but also through à ngela. There are constant references throughout the novel towards the fact that the Vicario twins had no desire to kill Santiago, and indeed they become less and less inclined to follow through with the murder as the novel progresses. After their dispute, it becomes clear how Pedro Vicario saw the murder – ‘Pero tambià ©n fue à ©l quien parecià ³ por cumplido el compromiso cuando los desarmà ³ el alcalde’[20]. This shows the distinct difference between what he personally feels about killing Santiago, and what social duty, ‘compromiso’, dictates that he should do. However, Pablo is not deterred and believes that his social duty dictates that he must actually carry out the murder, whatever the consequences- he tells the judge that he is innocent ‘Ante Dios y ante los hombres†¦ fue un asunto de honor’[21]. This is key to understanding the extent of society’s rigidity and the extremes that people will go to in order to adhere to tradition and this supposed code of honour. The brothers honestly believe that their crime simply brings justice for Santiago’s supposed de-flowering of à ngela. The aforementioned constant repetition of ‘vamos a matar a Santiago Nasar’ not only shows the community’s complicity and passive acceptance of the act of ‘justice’ that the twins will carry out, but also perhaps the attempt of the brothers to find someone who will prevent the murder from happening. Given that they are bound by tradition and duty to kill Santiago, they are unable to do anything else other than warn everyone in the town so that perhaps someone else could stop the horrific crime from happening. However, it is evident from analysis earlier in this essay that the town views the traumatic eve nts as a ritual in which all concerned should act to social expectations. This meek acceptance of the roles granted by life is something that à ngela later tries and succeeds in breaking out of. All her life she has been trained by her mother to surrender to the patriarchal values of society, including being forced into loveless marriage. However, after the murder she finds new-found strength which begins with the thousands of love letters she writes to San Romà ¡n and the realization that her mother is not strong and independent but just as trapped in the patriarchal system as she is. The return of Bayardo back into à ngela’s life, which also contains strong hints of Mà ¡rquez’s magical realism, expresses the victory of à ngela’s non-conformist values over those of the society in which she lives. This stands in stark contrast to her brothers’ conformism to socially rigid values and traditions; this is the same conformism that ultimately allows th e murder to occur. After all, the murder seems to be something that happens to the murderers, rather than something in which they play an active part. Pablo said, ‘esto no tiene remedio†¦ es como si ya nos hubiera sucedido’[22], and arguably it is their unthinking conformity to society’s truly entrenched values that leads to their completion of the crime. Conclusively, the notion of ritual is evident on all levels of the narrative. It is apparent in the actions (or lack of action) of the characters, who passively allow the murder to occur, and it is also manifest in their willingness to accept Santiago as a scapegoat regardless of true guilt. On a more detached level, the text is a ritual in itself as it allows for the absolution of the narrator through repetition of events and displacement of blame onto the collective. Furthermore, the unwillingness of the twins to commit the murder shows the strength and rigidity of social values to the extent that individuals seem robbed of their free will and driven purely by the superior drive of duty and obligation. Crà ³nica de una muerte anunciada shows a community at its worst, where desire for unity and unthinking faith in tradition leads to a horrific and reprehensible crime that taints the town with guilt for decades. Bibliography PRIMARY SOURCES GARCà A Mà RQUEZ, G. Crà ³nica de une muerte anunciada (Plaza y Janà ©s Editores, 1998) SECONDARY SOURCES PELLÓN, G. Myth, Tragedy and the Scapegoat Ritual in Crà ³nica de una muerte anunciada: Revista Canadiense de Estudios Hispà ¡nicos, Vol. 12, No. 3 (Revista Canadiense de Estudios Hispà ¡nicos, 1988) ALONSO, C. Writing and Ritual in Chronicle of a Death Foretold (Gabriel Garcà ­a Mà ¡rquez: New Readings, p156) Cambridge University Press, 1987 McGUIRK, B. Free-play of fore-play: the fiction of non-consummation: speculations on Chronicle of a Death Foretold (Gabriel Garcà ­a Mà ¡rquez: New Readings, p156) Cambridge University Press, 1987 HART, S. Critical Guide to Spanish Texts: Crà ³nica de una muerte anunciada (Grant and Cutler, 1994) FREUD, S. Beyond the Pleasure Principle (London, Vienna: International Psycho-Analytical, 1922) [1] PELLÓN, G. Myth, Tragedy and the Scapegoat Ritual in Crà ³nica de una muerte anunciada: Revista Canadiense de Estudios Hispà ¡nicos, Vol. 12, No. 3 (Revista Canadiense de Estudios Hispà ¡nicos, 1988) p401 [2] GARCà A Mà RQUEZ, G. Crà ³nica de una muerte anunciada (Plaza y Janà ©s Editores) p7 [3] ibid. p12 [4] ibid. p124 [5] ibid. p21 [6] ALONSO, C. Writing and Ritual in Chronicle of a Death Foretold (Gabriel Garcà ­a Mà ¡rquez: New Readings, p156) Cambridge University Press, 1987 [7] p109 [8] FREUD, S. Beyond the Pleasure Principle (London, Vienna: International Psycho-Analytical, 1922) p285 [9] GARCà A Mà RQUEZ, G. Crà ³nica de una muerte anunciada p115 [10] PELLÓN, G. Myth, Tragedy and the Scapegoat Ritual in Crà ³nica de una muerte anunciada. p409 [11]GARCà A Mà RQUEZ, G. Crà ³nica de una muerte anunciada p119 [12] ibid. p112 [13] PELLÓN, G. Myth, Tragedy and the Scapegoat Ritual in Crà ³nica de una muerte anunciada. p404 [14] GARCà A Mà RQUEZ, G. Crà ³nica de una muerte anunciada p115 [15] ibid. p116 [16] HART, S. Critical Guide to Spanish Texts: Crà ³nica de una muerte anunciada (Grant and Cutler, 1994) p33 [17] GARCà A Mà RQUEZ, G. Crà ³nica de una muerte anunciada p123 [18] ibid. p129-130 [19] ibid. p129 [20] GARCà A Mà RQUEZ, G. Crà ³nica de una muerte anunciada p70 [21] ibid. p58 [22] ibid. p82

Finding the Best Toefl Topic Essay Samples

<h1> Finding the Best Toefl Topic Essay Samples </h1> <p>Learn all the recommendations you have to comprehend as an approach to expert TOEFL Writing! It can similarly be advantageous to survey other TOEFL composing tests to get a superior thought regarding what a great TOEFL exposition seems like. Understudies need to make articles dependent on the educator's guidelines or their favored style recorded as a hard copy. Scholastic language gives elective words and expressions to ensure your sentences stream well. </p> <p>Sometimes data ought to be rehashed to underline the edge being created. Budgetary structures were talked about towards the finish of the absolute first passage, which presented the thought of enormous performance center chains. 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Tips to Use For Using Black Lives Matter Essay Samples

Tips to Use For Using Black Lives Matter Essay SamplesIf you are looking for essay samples on the lives of black people, then the internet can provide you with a lot of different examples. When you search for these samples online, you will find that there are many different websites offering the services that you need. For those that are considering the opportunity to write their own life story on essay, then it is important to think about the quality of the writing you are going to do.The reason that these life experiences writing samples are important is because they can help you improve your skills in writing. If you take the time to get the right writing samples, you can learn how to present your thoughts and opinions in an effective way. This is especially important if you are taking this opportunity to prepare for college or a career.If you are looking for ways to improve your writing skills, then you should look into getting black lives matter essay samples. Some of the exampl es available are from non-black students and people that are writing about life experiences that were really different from what you are going through right now. While this is not going to provide you with the experience that you need, it can help you get used to the writing process.When you are getting ready to write your own life experience on essay, you want to make sure that you are not copying someone else's ideas. Since you are not actually someone that they are writing about, there is no reason to copy someone else's writing style. This can make you look unprofessional.Even though there are many different sites that offer this type of material, there are a few tips that you should keep in mind when looking for the best essay writing samples for your life experience. Make sure that you are getting some real world examples. It is not necessary to copy them directly, but it can be helpful to understand that they can be helpful for your essay.Another tip is to find a good idea wh en you are looking for a life experience on essay. You do not want to be looking at a group of examples that are all of the same style. You may find yourself writing something that does not flow as well as you would like it to.The life experience on the essay that you are writing should not be made up of black lives matter. Try to include situations where you are dealing with something that has to do with the black community. Try to include some of the stories that have been documented by different sources over the years.If you are going to use black lives matter as an example, it is important to get something that really relates to what you are trying to say. While this is a topic that people of color have dealt with, you want to make sure that you do not make a statement about a situation that you are not actually familiar with. Make sure that you do not change the details and facts that have been documented over the years.

The Topic For Your Opinion Essay

<h1>The Topic For Your Opinion Essay</h1><p>The sentiment article is a dubious subject and you should initially comprehend what you're composing for so as to abstain from committing errors, particularly in feeling exposition themes. The feeling paper theme can be any subject that you want.</p><p></p><p>But before you pick the point, you should get familiar with a portion of the principles and comprehend the words utilized in English. There are specific sorts of subject contingent upon the kind of exposition you will compose. For the most part, all subjects follow the equivalent rules.</p><p></p><p>This is the theme for a conclusion article, which intends to introduce a perspective or a viewpoint on a particular point. The primary point can be anything identified with scholastic or private life. The more broad the subject, the more perplexing your article will be. Actually, this is the initial segment of the essay.</ p><p></p><p>The next piece of the feeling exposition points are realities. There are two sorts of realities: well established realities and known feelings. Referred to realities are normally expressed as realities dependent on explicit research, while realized sentiments are not really founded on any examination, yet basically explanations that are bolstered by somebody's understanding and opinions.</p><p></p><p>The fundamental goal of the feeling exposition is to convince the peruser. It must be pertinent and seem sensible. It can likewise be educational and supportive to others.</p><p></p><p>The next area is the end. In the event that your paper is elegantly composed, it ought to have a simple end, however in the event that it has a troublesome end, at that point you're presumably composing an article that doesn't have a lot of data at all.</p><p></p><p>Factual articulations are imperative to demonstrate something is valid. It very well may be increasingly specialized or general data about a theme. The primary objective of an assessment exposition is to give data to perusers and persuade them.</p><p></p><p>There are a great deal of supposition article points that can be examined on the web, so you can discover thoughts regarding it. You can go through these plans to accompany a subject that can be utilized in your own essay.</p>

College Essay Topics Samples - Overview

<h1>College Essay Topics Samples - Overview </h1> <p>Explain your responsibilities, and you will be the sort of understudy universities find massively appealing. On the other side, some contend that the cost of school leaves understudies with devastating obligation they'll never be able to reimburse. All things considered, it's probable since understudies perpetually end up doing a sensible piece of their learning past the homeroom, along these lines a very much developed investigation guide can empower them to get a handle on things without anyone else. The understudy should be in a spot to share their qualities and dreams they seek to accomplish when they get the chance to get in the school in the conversation. </p> <p>The exposition is the place to permit the affirmations office of your planned school get the opportunity to comprehend your character, character, and the gifts and capacities that aren't on your transcript. 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Paintings of the Old Masters - 1189 Words

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Dimmesdale In Nathaniel Hawthornes The Scarlet Letter Essay Example For Students

Dimmesdale In Nathaniel Hawthornes The Scarlet Letter Essay In Nathaniel Hawthornes The Scarlet Letter, Reverend Arthur Dimmesdale unquestionably suffers more than Hester Prynne, his accomplice in the affair that took place years ago. He is tortured by Roger Chillingworth, Hesters husband, who arrives in Boston and begins to assist Dimmesdale with his illness. He is also tormented by Pearl, Hester and Dimmesdales daughter, who, is a product of the affair. He also injures himself, as the shame of the incident literally makes him sick. These persons, including himself, contribute to Reverend Arthur Dimmesdales potential downfall. Roger Chillingworth arrives in Boston, and ironically, the first scene he views is his wife, Hester Prynne, serving her three-hour sentence of standing on the pillory. As he comes out of the woods with a big Indian, he joins the crowd. At which time, we are immediately informed of his physical description. We are told he is short, has one shoulder higher than the other, and looks intelligent, however, there was not something right about him, his look became keen and penetrative. p. 54 In the next chapter, we are told that Chillingworth is Hesters husband. They do not have the same name, however, because Chillingworth wishes to avoid discovery as the wronged husband and also bear Hesters ignominy. Roger Chillingworth gains a good reputation as the best and only physician in Boston. Coincidentally, Dimmesdale grows sick, and he is forced to seek Chillingworths help. Dimmesdales health started to decline, to put his hand over his heart, with first a flush and then a paleness, indicative of pain. p. 107 Chillingworth takes interest in Dimmesdale, and sought to win a friendly regard and confidence from his naturally reserved sensibility. . 108 Chillingworth was happy to help his pastor back to health, as it was the natural thing to do. The disease was not the only thing that interested the physician, but, he was strangely moved to look in to the character and qualities of the patientà ¢Ã¢â€š ¬Ã‚ ¦He deemed it essential, it would seem to know the man before attempting to do him good. pp. 109, 110 Dimmesdales health sailed downward, and at this time, Dimmesdale was advised by the townspeople to move in with Chillingworth. At first, they got along great, and town couldnt be happier with how things are going, but after a while, some people grew skeptical of Chillingworths motives. They believe that Chillingworth has undergone a change since arriving in Boston: he used to be a genial old man, but is now an ugly and evil person who now terrorizes Dimmesdale, haunted either by Satan himself, or Satans emissary, in the guise of old Roger Chillingworth. p. 114 A few days later, Chillingworth returned from gathering leaves and roots when Dimmesdale asked him where he got those that he had never seen before. Chillingworth responds by saying that they grew on a grave with no tombstone, then infers that Dimmesdale is keeping a secret, They grew out of his heart, and typify, it maybe, some hideous secret that was buried with him, and which he had done be then to confess during his lifetime. p. 117 This leads directly to an entire conversation where Chillingworth tries to make Dimmesdale reveal his secret. Chillingworth pushes Dimmesdale to tell him about his spiritual side, however, Dimmesdale grows so uncomfortable that he screams, No-not to thee! p. 127 and runs out of the room in a mad fit. Later on, Dimmesdale falls asleep in his chair, at which time Chillingworth creeps in and rips off Dimmesdales shirt, and finds what he is looking for: he has read Dimmesdales heart. Roger Chillingworth is not the only person to torment Dimmesdale. Little Pearl, Hester and Arthurs daughter, also torments him as well. Pearl does not make Dimmesdale suffer as much as Roger, but she does inflict her share of damage. During the conversation between Chillingworth and Dimmesdale about Dimmesdales spirit, Pearl and Hester come walking through the graveyard. .u0652489f70c787d1216b1ee90eb3c4ae , .u0652489f70c787d1216b1ee90eb3c4ae .postImageUrl , .u0652489f70c787d1216b1ee90eb3c4ae .centered-text-area { min-height: 80px; position: relative; } .u0652489f70c787d1216b1ee90eb3c4ae , .u0652489f70c787d1216b1ee90eb3c4ae:hover , .u0652489f70c787d1216b1ee90eb3c4ae:visited , .u0652489f70c787d1216b1ee90eb3c4ae:active { border:0!important; } .u0652489f70c787d1216b1ee90eb3c4ae .clearfix:after { content: ""; display: table; clear: both; } .u0652489f70c787d1216b1ee90eb3c4ae { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u0652489f70c787d1216b1ee90eb3c4ae:active , .u0652489f70c787d1216b1ee90eb3c4ae:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u0652489f70c787d1216b1ee90eb3c4ae .centered-text-area { width: 100%; position: relative ; } .u0652489f70c787d1216b1ee90eb3c4ae .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u0652489f70c787d1216b1ee90eb3c4ae .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u0652489f70c787d1216b1ee90eb3c4ae .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u0652489f70c787d1216b1ee90eb3c4ae:hover .ctaButton { background-color: #34495E!important; } .u0652489f70c787d1216b1ee90eb3c4ae .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u0652489f70c787d1216b1ee90eb3c4ae .u0652489f70c787d1216b1ee90eb3c4ae-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u0652489f70c787d1216b1ee90eb3c4ae:after { content: ""; display: block; clear: both; } READ: Blood brother review EssayPearl gathers a handful of burrs from a birdock, and placed them along her mothers A. As they continue down the path, they pass Dimmesdales window, and she, threw one of the prickly burrs at the reverend Mr. Dimmesdale. p. 120 Dimmesdale jumped back from the attack, and seemed to, shrunk with nervous dread. p. 120 Pearl then told her mother that they should leave before, yonder old Black Man will catch you. p. 120, referring to Chillingworth as the Devil, who might end up killing Dimmesdale, despite his promise to Hester that he would let the man live once he found him. The next instance that Pearl makes Dimmesdale suffer, is as he is standing on the pillory. As he stands there, Hester and Pearl walk by, as they are coming from Governor Winthrops death. Dimmesdale invites Pearl and Hester up on the pillory, and as they hold hands, Pearl asks, Wilt thou stand here with Mother and me, tomorrow noontide? p. 137 Dimmesdale declines, and says that, the daylight of this world shall never see our meeting. p. 138 and that they would all three stand together, At the great judgment day. . 138 Dimmesdale also punishes himself for having slept with Hester. He whips himself because he still feels ashamed that Hester is taking all of the rap for the deed, In Mr. Dimmesdales secret closetà ¢Ã¢â€š ¬Ã‚ ¦there was a bloody scourgeà ¢Ã¢â€š ¬Ã‚ ¦plied it on his own shoulders. p. 130 He not only beats himself, but he also fasts for abnormally long periods of time, until his knees trembled beneath him, as an act of penance. p. 130 In addition to lengthy fasts, Dimmesda le would keep vigils through the night. In one of these vigils, he looked into a mirror and saw hallucinations, a group of shining angelsà ¢Ã¢â€š ¬Ã‚ ¦dead friendsà ¢Ã¢â€š ¬Ã‚ ¦his white-bearded fatherà ¢Ã¢â€š ¬Ã‚ ¦his motherà ¢Ã¢â€š ¬Ã‚ ¦Hester Prynneà ¢Ã¢â€š ¬Ã‚ ¦Pearl. p. 130 He never let these get to him, though, he could discern substances through their misty lack of substance. p. 131 At the end of Chapter Eleven, we are led to believe that he might commit suicide, similar to Willy Loman in Arthur Millers Death Of A Salesman, however, we learn in the next chapter that he only walks to the pillory to try and ease his conscience. Psychological torture, whipping, burrs. These are only a few of the things that are driving Dimmesdale insane. Roger Chillingworth tries to make him admit he slept with Hester while Pearl also tries to make him admit his guilt. He even tries to tell his congregation during a sermon, but fails, as they think he is being modest and subsequently adore him even more so. Dimmesdale is headed into a downward spiral, and these people are acting as catalysts for his demise.